October’s Deviant News and Books

 

We’ve got a few new books coming in October as well as some cheap Halloween reads and FREEBIES!

First, get ready for C.M. Saunders’ newest release, a reissue of “Dead of Night” on the 1st of October.

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Young lovers, Nick and Maggie, decide to escape the city for a romantic weekend deep in the idyllic countryside. The excursion soon degenerates into a maelstrom of terror when one of them comes face to face with a centuries-old civil war soldier. Together, the couple flee into the wilderness, but soon find themselves engaged in a mortal battle with a group of long-dead Confederate bushwackers.

 

It’s available for pre-order now so get it.

 

 

PJ Blakey-Novis has some exciting news for October as well. First, the October issue of Indie Writers Review will be a special Halloween issue. Keep your eyes on the Facebook page to get more details on that.

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And he’ll be celebrating 31 Days of Horror, in which he promotes some fantastic horror novels and authors all month. We’ll be sure to share that with you on our Facebook page, but you should also follow Peter’s page for news and future promotions. AND, as part of the celebration, Deviant Dolls be giving away some Halloween reads (ebooks and paperbacks) EVERY SINGLE DAY in October, which include Deviant Dolls authors, as well as a few other horror authors we admire and think you should check out.

As we mentioned in July and August, Renee Miller released Eat the Rich, with Hindered Souls Press. In the coming months, the audio book will also be available. Renee’s story “The Cartel” won Deadman’s Tome’s The Meat Grinder contest in August. You can still read it, so go on over and while you’re there, check out the latest contest entries.

On October 16th, Unnerving will be releasing Renee’s chilling horror novella, “Stranded” and “Licking the Devil’s Horn,” a collection that includes Stranded, as well as Church and Cats Like Cream.

Six contestants pair off into three teams of one man and one woman as part of a pilot season for a new reality show called Stranded. The challenge: Survive thirty days in a hostile and brutal environment for a chance to split a half-million-dollar prize.

Victor, the show’s creator, chooses the northern Arctic as the first location, but after a single day, his mistake is clear: They are not alone.

Their presence awakens a relentless and unforgiving predator that feeds on greed, lust and fear.

In this game, the lucky ones get to die.

“Renee Miller has crafted a brutal tale of monsters and madness, one that will make your blood run cold. Perfect for fans of THE THING, STRANDED is arctic terror at its chillingly scary best.”

—Michael Patrick Hicks, author of BROKEN SHELLS and MASS HYSTERIA

 

And look for her erotic horror story, VIRTUAL HEALING in Lycan Valley Press’s GAME OVER: BLACK BOOK SERIES VOLUME 2 in the very near future.

Finally, we’ve got some sales happening in honor of Halloween, because we all know it’s the best of all of the holidays. First, get Renee’s horror/thriller tales, BAYOU BABY, IN THE BONES, DIRTY TRUTHS, THE LEGEND OF JACKSON MURPHY, and SMOLDER for just 99 cents eadh from October 27th to November 1st, and get Steve Wetherell’s SHOOT THE DEAD, as well as selected titles in the Authors and Dragons’ SHINGLES SERIES for 99 cents each as well.

That’s all for now. Keep your eye here and on our Facebook page for your chance to win during 31 Days of Horror. Here’s a taste of what we’ll be offering:

e-books

by C.M. Saunders

X

X2

X3

Sker House

Human Waste

No Man’s Land

Apartment 14F

Out of Time

In the Dead of Night

By Renee Miller

Cats Like Cream

Church

Eat the Rich

Stranded

By PJ Blakey-Novis

Embrace the Darkness

Tunnels and Other Short Stories

The Artist

Paperbacks

Sugar Skulls by Manual Tapia

Syphon by A.A. Medina

The Monkey’s Penis by Steve Wetherell

Licking the Devil’s Horn by Renee Miller

Splish, Slash, Takin a Bloodbath by Eddie Generous, Mark Allan Gunnells, and Renee Miller

 

We’ll be adding more very soon. Stay tuned

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August’s Deviant News and Books

In July, we had all kinds of things happening, and it looks like the Dolls won’t be slowing down in August.

First, C.M. Saunders is having a sale! Out of Time, Apartment 14F, No Man’s Land: Horror in the Trenches, and Human Waste are all 0.99 for a very limited time. Grab ‘em quick.

 

Find these and the rest of his books here:

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Saunders’s latest short story, Lakeside Park, is included in the anthology Terrors Unimagined out now on Left Hand Publishing.

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Lakeside Park is an old-fashioned creature tale about a down-on-his-luck, ex-alcoholic custodian who agrees to take a job looking after a remote caravan park deep in the Welsh valleys during the winter. Suffice to say he doesn’t get the anticipated peace and quiet.

 

 

Also, check out the super snazzy trailer!

https://youtu.be/ow4XfWt2q7w

You’ll also be able to find one of his drabbles, My Tormentor, on the Horror Tree on July 29th.

Meanwhile, on his blog, he takes an introspective look at Ringu, the original Japanese version of the seminal movie Ring. Next up for the RetView treatment is the Hammer Horror classic The Witchfinder General. Finally, , if you’re a non-fiction reader with a taste for the paranormal, he has an article on the Nelson Mandela Effect (false memory syndrome) in the latest issue of Fortean Times (FT368).

And we’ll never forget Steve Wetherell’s debut installment in the Authors and Dragons “Shingles” series, The Monkey’s Penis. In August, Steve’s second Shingles tale, “Put Your Hand in My Ass” will be available. Pre-order it now!

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Will Monroe wants to be a famous entertainer more than anything, and he knows the high school talent show is the first step. Unfortunately he has no talent.

What he needs is a mentor. What he gets is Sloppy- an enchanted puppet with weird sexual proclivities and an extremely problematic approach to comedy.

Does Will have what it takes to make it in the cut-throat world of showbiz? And how deep is he willing to stick his hand to find out?

 

 

 

 

 

 

In July, Steve also had a story included in Beyond Midnight: Volume One.

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Magic. Mystery. Mayhem.

Dive into the pages of this alluring anthology and enter a world of mystery and adventure. Stalk the streets of sprawling metropolis’ and hunt terrifying creatures. Explore towering cities where the supernatural is everyday and magic is as common as coffee.

Devour 13 all-new urban fantasy stories from debut and best selling authors.

Pick up your copy of Beyond Midnight today and join the adventure.

 

 

 

In July, Renee Miller released Eat the Rich, with Hindered Souls Press (audio and paperback coming very soon).

Eat-The-Rich-Front-Cover

Some fantastic reviews are already in from Book Review Village, Cedar Hollow Horror Reviews, Hellnotes, and more. Renee’s also been visiting a few blogs, including Kam’s Place, Cedar Hollow Horror Reviews, and Kendall Reviews. Renee also wrote a little thing called The Women We Should Be Writing over at Inkheist.

And if you missed it, check out her Eat the Rich podcast over at Deadman’s Tome. Lots of shits and giggles happening there. Also at Deadman’s Tome, look for Renee’s story BITER in The Meat Grinder contest. Stories should be up the first of August, so if you want her to win, you should go on over, read the story, like it (unless you hate it) and comment.

On August 14th, look for Renee’s dark comedy, Contractual Obligations, in Books and Boos Press’s “A Sharp Stick in the Eye” anthology.A Sharp Stick in the Eye—Front Cover

 

Renee will also be releasing Howl, an erotic horror novella, with Grinning Skull Press later this summer, as part of GSP’s Grave Marker series.

And finally, we missed it in July’s announcements, but it’s not too late to take advantage of the sale. So, Katrina Monroe’s Sacrificial Lamb Cake is just 99 cents from July 26th to 30th. Definitely take advantage of this awesome deal.

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And that’s all for August (so far.) We’ll try to keep the excitement at this fever pitch in the fall as well.

 

 

June’s Deviant News and Books

What’s up with the Dolls this month? Well, it’s pretty quiet, but that doesn’t mean we don’t have something for you.

Last month, Michael Keyton released Anthony Trollope: Power, Land and Society 1847 – 1980

31154185_10156148952966777_2708272631576002560_nTrollope was no deviant. He was though a writer and describes a world long gone. As such, there is much to learn from him. And if you don’t feel the urge to read all of his forty-seven books, you can read just this one. It may even persuade you to give him a go. Failing that, check out Alan Rickman’s first starring role as Obadiah Slope in The Warden – key snippets available on YouTube.

One of Trollope’s last books, The Fixed Period reveals his vision of the 1980’s; one still dominated by steam and landed power. The British Empire remains intact, ruling unchallenged in lieu of America, which has fragmented. It explains the title of this book. For Trollope, landed power and its politics controlled the future. He could not foresee—or didn’t want to—any alternative. The sci-fi aspects of The Fixed Period are risible. His exploration of Euthanasia is, on the other hand, profound.

Books on Anthony Trollope have tended to emphasise the biographical, social convention or else offer analyses of Trollope’s moral code. There has been little, if anything, written about Trollope as the literary expression of a landed society during a period of flux.

Anthony Trollope: Power, Land and Society 1847 – 1980 makes the argument that Trollope’s canon constitutes a profound exploration of Nineteenth Century landed society, providing insights into the cultural and political mores of great and small landowners, as well as the economic opportunities and problems they faced during a period of transformation; his characters, too, subtly illustrate the dilemmas, moral and social that so many Victorians encountered as economic circumstances changed.

Get it here.

He’s also been busy spiffing up another new release THE GIFT, which will be available on Amazon and such VERY soon.

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Born in a Liverpool slum, Lizzie McBride is the daughter of an Irish seer who dies when Lizzie is barely twelve, leaving her in charge of two younger sisters and a grieving father. When her father commits suicide, Lizzie is caught between two worlds: An aunt and uncle who decide the three orphans would be better off with them in America, and her mother, who appears in a dream and urges her to stay. Just as they are about to board ship, Lizzie runs away and her life changes forever.

Pursued by her aunt, Lizzie cannonades into the young and charismatic magician, Aleister Crowley who takes her under his wing. He introduces her to Lady Gwyneth Morgan, daughter of the richest family in Wales and sister to the flamboyant occultist, Evan Morgan. At this point Lizzie doesn’t realise she has a gift; the ability to open Hell and control its greatest demons. When the occult world discovers this, governments and powerful individuals seek her out. Only one man can protect her: the magician John Grey.

Also new this month, Tony Bertauski will be releasing The Roots of Drayton: A Drayton Chronicles Novel on June 12. Pre-order now!

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Drayton can’t leave the Lowcountry.

He once believed he was a vampire when he terrorized villages and slaughtered for blood. Now he absorbs essence from the dying’s final breath and rarely stays in one place. He has been in the Lowcountry far too long.

Everything is about to change.

After witnessing an elderly man’s death, Drayton vows to protect his wife. He assumes the job of her gardener in Charleston’s historic district. But when a young woman named Amber enters the garden, he soon questions who he is protecting.

And from whom.

Drayton will finally discover why he has roamed the planet for so long. He will learn the purpose of his existence and why he has absorbed human essence all of his life. Before he uncovers his roots, he will return to his blood-thirsty days of old.

For the first time, Drayton will become the prey.

 

And in case you missed it, last month, P.J. Blakey-Novis announced the launch of Boxes of blood.

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Boxes of Blood, a new service, offers ‘mystery boxes’ of hand-picked horror books delivered to your door. Available in a variety of sizes, and including exclusive tote bags and bookmarks, Boxes of Blood is an essential service for horror readers everywhere. And with a library of almost one hundred books, and counting, no two boxes will be the same!

 

Stay informed about this awesomeness at;

www.facebook.com/horrortoyou

www.twitter.com/redcapepublish

www.instagram.com/boxesofblood

And looking forward to July, keep your eyes peeled for Renee’s weird horror novel, EAT THE RICH, which will be released by the awesome Hindered Souls Press.

Eat-The-Rich-Front-Cover

When Ed Anderson discards his life to become a homeless person, he has no idea of the shit storm about to happen. Almost overnight, the city’s homeless population spikes.

So does the murder rate.

Ed learns that aliens posing as homeless people are eating the city’s wealthiest residents. he tries to warn the police, but they think he’s crazy.

The situation is worse than Ed describes, though.

He’s right about the aliens. They’re here to free humans from wealth and poverty. The flesh of the rich is just a tasty reward for their hard work. And if humans refuse to embrace the utopia imagined for them, there is a Plan B:

KILL EVERYONE.

And if you’ve been under a rock, you might not know that Steve Wetherell has re-released THE LAST VOLUNTEER with Falstaff Books, AND he was at ConCarolinas with his Authors and Dragons besties. For more details, and a few good laughs, check out the podcasts and the book.

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Fans of Douglas Adams’ Hitchhiker’s Guide to the Galaxy – your long wait for a successor is over!

The fate of the world lies with one man: Bip Plunkerton.

Talentless psyentist and frequent drinker at The Empty Goat, young Bip Plunkerton will follow in his father’s footsteps as a Volunteer…footsteps that have yet to return from the wilds of the wide world outside.

Traverse the harsh weather of the formidable Ice Plains, navigate the Boiling Sea, and suffer the ravaging heat of the Bone Desert. Bip’s impossible task, continually thwarted by the semi-corporeal Mr. Random, is to warn the rest of the world of the coming doom of the Massive Ball of Death hurtling through space.

Will the last volunteer be any more successful than the first? Will Bip save planet Bersch from a fate set into motion millennia before?

Probably not, but we can likely drag this question out for a couple more books, though. Right?

Finally, Renee and Christian were both included in Digital Horror Fiction’s new collection, DIGITAL HORROR FICTION VOLUME 1.

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Inside you’ll find Renee’s horror story, WHERE THERE IS LIFE and Christian’s bloody tale, ROADKILL, along with a few other pretty awesome horror authors.

And that’s all for now. Stay tuned for next month’s news, and keep an eye on our Books pages for anything we may have missed here.

Has Being Offended Become Cool?

by Renee Miller

 

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First, let’s talk about words. All the words. Swear words, slang, regular words that the masses have decided we’re not allowed to use anymore, and their replacements. All the fucking words, man. I love them. Even the tricky ones like cunt, whore, and yes, even retard. While some of these words bother me for personal reasons, I can’t hate any of them, because each one is full of history, emotion and POWER. I’m a writer. I will use whatever word gives what I’m writing the proper emotion, and this means using the words I might choose not to use in real life.

Why shouldn’t this offend you? You have the right to feel how you want to feel, but think twice before publicly shaming someone simply because their choice of words bothers you. When I use a word you find offensive, and you scold me or worse for using it, you are giving ME your power. You’re giving the word you hate power. The only person not getting any power is you.

I like profanity, as you all know, and I use it frequently. People are offended by this sometimes. I don’t really give a fuck, but sometimes their offense at my language offends me. I want to tell them to fuck off. Get off their stupid pedestal, and join the real world. Sometimes I do tell them that. Usually I don’t, because fuck them. Why can’t I love all the words, including the nasty, dirty, messy ones? It’s not just words, though. In the book world, even ideas, thoughts, themes, etc. offend people. One of my besties, Katrina Monroe, experienced a bit of backlash for her book, Sacrificial Lamb Cake, which is a brilliant, witty, fun read that I will always love. Yes, it’s blasphemous, but that much is clear if you read the damn cover blurb. Yet, she’s received negative reviews (alas, I can’t find any of them now, so maybe the Goodreads cleaning crew has passed through?) because someone either didn’t read the blurb, or did and decided to read the book anyway, and their wittle feelings were hurt.

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Why would someone who is uncomfortable with subjects such as lesbians and/or heavenly bodies who are anything but what the Bible describes, read a book that STATES the messiah is a lesbian RIGHT ON THE COVER? Is it not pretty likely you’re going to hate this book? It’s not just her either. Another author friend, who writes deliciously disgusting horror , has received a slew of negative reviews because of the nasty shit her characters think and do. It’s horror! What do you expect? Another author, whom you all know well, C.M. Saunders, received backlash because in his book, Sker House, a male character used the term “friend zone.” And I’ve had folks refuse to rate books, or knock stars from their ratings, because they don’t like the “rough language.” It’s offensive. Oh, muffin.

I’m not whining about it. If you feel like you can’t review my books or can’t say anything positive because you were so upset by content and/or language, then that’s how you feel. I’m just saying I think it’s ridiculous, because that’s how I feel.

By the way, this post is intentionally offensive to anyone who is easily offended, so if you’re one of those people, stop reading. Or keep reading if you need your “I’m a self-righteous douchebag” fix.

Personally, I find it astonishing that we are all still offended by what is essentially a bunch of letters. I am always shocked when someone gets bent out of shape over holiday greetings, celebrations, phrases, etc. Happy Mother’s Day to all you moms out there! Now I’ve pissed off anyone who hasn’t had a child, can’t have a child, has lost a child, or doesn’t want a child at all, as well as the ones who hate their mothers, or were abandoned by their moms, or lost their moms. Shit, it’s all so exhausting.

Merry Christmas pisses off people who don’t celebrate Christmas, but Happy Holidays pisses off the Christians. And for the love of God, don’t you ever use “Xmas”, you lazy, insensitive motherfucker. Happy Chocolate Bunny Day pisses off the folks who know Easter isn’t about candy and bunnies. Well, it is in my house, because I’m not a Christian. So, um, yeah. You can wish me a happy Easter or a Merry Christmas. I’ll say thanks, even if I’m not religious, because I appreciate that the greeting came from a good place. You’re not trying to oppress me or convert me, or whatever… are you? Oh, you crafty little bitch.

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I did start a list of everything that offends people these days, but it was way too long to put in a single post, because you jerks keep adding shit every damn day. I can’t keep up. I should add that some of the things I read/hear online bother me too, but I don’t call the moral police to have the guilty parties arrested and flogged, because who the fuck cares? They have the right to say what they want to say, and I have the right to not like it. I don’t have to be a drama queen about it, and I don’t think I’m helping anyone by telling them their words hurt me. In most cases, that was their goal all along, so why give them exactly what they want?

I’m not entirely sure why being offended is a fad, but I’m thinking part of it is that we have become addicted to that wonderful self-righteous glow that being offended leaves behind. I mean, how awesome does it feel to knock some cocky prick down a peg or three, because he uses a word or phrase that causes us discomfort or pain? I don’t care the context he used it in, or even if it was meant to be offensive or not, I am going to rip that fucker a new one. Yeah, that shit feels good.

But let’s think about this: When you CHOOSE to be offended by what someone writes online or in a book, or even by something they’ve said in real life, (and make no mistake, it’s a choice) you also CHOOSE to be a victim.

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Hmm. Not so cool now, eh?

Yes, yes, I know that some words are emotional triggers for people. But if we have to stop using words because it brings back an emotional trauma for this person or that, then I quit humaning. It’s over. Might as well quit writing too, because the whole point of it is to use words to affect people on an emotional level. If that’s no longer okay, then what’s the point?

I am sorry if you have shit in your past that hurts. I’m sorry if it more than hurts. It’s awful that you’ve had to endure any heartache or trauma at all. I wish this world was fair or at least kind to good people, but it’s not. It sucks, but when you try to make other people change to alleviate your pain, instead of finding a way to prevent that pain from consuming you, you’re choosing to stay in the role of victim and you’re giving power to the words you’re trying to make everyone else stop using. The more power a word has, the less likely it’ll go away.

Before anyone asks who the fuck am I to tell someone how to deal with trauma, let me add that I’ve been victimized too. I’ve wallowed in a pit of misery, fear and self-doubt, and I let the trauma rule my life for too long. When I stopped giving certain words and actions power, I was free of all that shit. The rest of the world didn’t hurt me, so why should they pay for something someone else did?

And I know that some people online use certain words in an intentionally negative manner. They try to hurt you on purpose but hey, you don’t have to be their victim. Don’t give power to their words by being offended. People are going to say what they want. They’re going to like what they like. How do their preferences, be it words or actions, affect you personally in your day-to-day life? In most situations, it doesn’t affect you at all, unless you want it to.

If you don’t like violence, don’t read horror, crime, suspense, or any genre that generally includes violence.

Don’t like swear words? Don’t use them. If you can’t handle other people using them, you should probably leave the Internet. Bye.

If you don’t like the idea of Satan being a good guy, or Mary being a crack whore, or the savior of mankind being gay, then don’t read books that explore those themes. Read the cover before you buy. Easy.

I know some of you are having trouble getting behind what I’m saying here. It’s okay, I know I’m rambly. I’ll just make it real simple by sharing what occurred to me as I thought about all of this:

Finding reasons to be offended is actually kind of offensive. So, in doing the thing you think is cool, you’ve become not cool.

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Why Dark Fiction?

So, I get curious from time to time, and I force the other dolls to play along and answer my many questions. This week, we’re all going to share why we choose to write dark fiction. (By dark fiction, I mean speculative, dark comedy, etc.)

Michael: I don’t limit myself to dark fiction, though there is darkness in all of my books. I have three ‘historicals’ in the pipeline – two set in the twilight years of Roman Britain, and one in early colonial America. In these, as with the Gift Trilogy coming out this year, the speculative part lies in the interstices of historical fact. But to answer the question why do I like dark in the first place – in my case it might be a very traditional Catholic education where there was no light without dark and Hell was a real place.

Steve: Dying is easy and comedy is hard, or so it goes. I’ve never died, so I can’t really attest to it. But, of all the many jobs comedy and fantasy has, one of them is trying to make sense of the dark. And in doing so, perhaps see the funny side.

Katrina: Because realism is too hard to write and reality is boring anyway. Some people call speculative fiction “escapist” like an insult, but I think it’s the best part about it. Why wouldn’t you want to escape?

Christian: I wouldn’t know what else to write. At least ‘dark fiction’ is a big playground big enough to get lost in. When you think about it, it can encompass almost every other genre, from crime noir to sci-fi. It overlaps a lot. I used to call myself a horror writer, then I asked myself what horror was and I couldn’t come up with a satisfying answer. It means different things to different people. Besides, I wrote a love story once and nobody liked it.

Renee: I write in multiple genres, but “darkness” is a constant element in all of them. I enjoy writing dark fiction/speculative fiction, because it’s such a broad category. You can delve into almost every genre and writing it is like an escape that allows me to go to those places we all avoid, because we’re not maniacs.  Also, I find the best characters in the dark.

Peter: I write in a range of genres, but there is certainly a darkness to each of my stories (with the exception of my children’s book, of course!), and that darkness comes in different forms. I find there is a certain freedom that comes with writing speculative fiction; an opportunity to be more imaginative with events, giving greater range to the topics that can be covered.

Liam: Because it’s there.

What about you guys? Writers and readers, why do you write/read dark fiction?

 

News and Books Coming May, 2018

This month, C.M. Saunders released X3, and it’s already picking up rave reviews.

The third collection of fiction by C.M. Saunders featuring revised versions of stories taken from the pages of The Literary Hatchet, Siren’s Call, Morpheus Tales, Gore Magazine, Indie Writer’s Review and several anthologies. Also includes two previously unpublished stories, extensive notes, and exclusive artwork by the award-winning artist Greg Chapman.

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Meet the airline passenger who makes an alarming discovery, the boy who takes on an evil troll, an ageing couple facing the apocalypse, a jaded music hack on the trail of the Next Big Thing, the gambler taking one last spin, and many more.

You can pick up a copy here:
 

 

 

 

 

The promotion machine is running for this one, check out his appearances at Ginger Nuts of Horror where he talks about childhood fears:

 

 ginger nuts CHILDHOOD FEARS POLTERGEISTS, EARWIGS AND DEEP WATER BY C.M. SAUNDERS

gingernutsofhorror.com

To celebrate the launch of his new collection of short stories author C.M. Saunders makes two stops at Ginger Nuts of Horror, here with his excellent article on Childhood fears  and with a…

 

And his interview on Kendall Reviews:

 

Horror & Splatterpunk author C.M. Saunders chews the fat with Kendall Reviews.

kendallreviews.com

C.M. Saunders is a freelance journalist and editor from Wales. His fiction and non-fiction has appeared in over 70 magazines, ezines and anthologies worldwide, including Loaded, Maxim, Record Collector, Fortean Times, Fantastic Horror, Trigger Warning, Liquid imagination, Crimson Streets and the Lit

 

By the time you read this, his latest short story, Those Left Behind should also be live here.

And don’t forget to check out his RetView series. This month, he looks at The Evil Dead

 retview RetView #9 – The Evil Dead | cmsaunders

cmsaunders.wordpress.com

Title: The Evil Dead Year of Release: 1981 Director: Sam Raimi Length: 85 mins Starring: Bruce Campbell, Ellen Sandweiss, Betsy Baker, Hal Delrich I remember the first time I saw The Evil Dead.

In May, his RetView series takes in the 1960 French classic Eyes Without a Face, a movie so depraved that people fainted when they saw it in the cinema, and so cool that a quarter of a century later Billy Idol wrote a song about it.

And P.J. Blakey-Novis has something awesome happening as well.

 

THFLo2Dc_400x400May marks the launch of Boxes of Blood, a new service, which offers ‘mystery boxes’ of hand-picked horror books delivered to your door. Available in a variety of sizes, and including exclusive tote bags and bookmarks, Boxes of Blood is an essential service for horror readers everywhere. And with a library of almost one hundred books, and counting, no two boxes will be the same!

 

 

 

Stay informed about this awesomeness at;

www.facebook.com/horrortoyou

www.twitter.com/redcapepublish

www.instagram.com/boxesofblood

As horror fans, we’re pretty excited about this and you should be too.

In case you missed it, Renee Miller released CATS LIKE CREAM, with Unnerving Magazine on April 10th. It’s collecting a few pretty awesome reviews as well.

cats like cream

“Renee Miller holds nothing back in her portrayal of the twisted protagonist at the center of Cats Like Cream. Elwin is unprecedented in terms of characterization, delightfully perverse, and genuinely shocking in his crimes, and Miller’s prose punctuates those crimes with machine gun-sharp rhythm. If you like your serial killers full of personality and voracious and unapologetic in appetite, then you have to check out Cats Like Cream. “
—Christa Carmen, author of Something Borrowed, Something Blood-Soaked 

“Cats Like Cream is a punchy novelette featuring a real estate worker who is also a voyeuristic serial killer (aren’t they all?!). I’m not usually a fan of serial killer fiction but this tale is superb. We follow the dark path trodden by Elwin. Elwin is a vile, vile creature, a twisted, sadistic man who hides behind the curtain of his day job whilst living out his darkest fantasies. I love how Miller uses somebody working a regular job as a deranged murdering pervert. The casual nature of Elwin’s personality makes him even more twisted.” – The Grim Reader

Renee discussed Cats Like Cream, and other interesting topics, like sexy kitchen appliances and why birds are so terrifying on the Deadman’s Tome Podcast. In a few weeks, she’ll also be talking to William Marchese and Gary Buller on their podcast, Horror: with Marchese and Buller.

While all is quiet for a couple of months in terms of new books by Renee for the month of May (Eat the Rich will be released in July via Hindered Souls Press), you can get these titles for just 99 cents.

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SEX, PEANUTS, FANGS AND FUR – May 1st – 8th

 

 

 

 

 

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SMOLDER – May 4th – 11th

 

 

 

 

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MAD – May 11th – 18th

 

 

 

And finally, brand new from Michael Keyton, Anthony Trollope: Power, Land and Society 1847 – 1980

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Trollope was no deviant. He was though a writer and describes a world long gone. As such, there is much to learn from him. And if you don’t feel the urge to read all of his forty-seven books, you can read just this one. It may even persuade you to give him a go. Failing that, check out Alan Rickman’s first starring role as Obadiah Slope in The Warden – key snippets available on YouTube.

One of Trollope’s last books, The Fixed Period reveals his vision of the 1980’s; one still dominated by steam and landed power. The British Empire remains intact, ruling unchallenged in lieu of America, which has fragmented. It explains the title of this book. For Trollope, landed power and its politics controlled the future. He could not foresee—or didn’t want to—any alternative. The sci-fi aspects of The Fixed Period are risible. His exploration of Euthanasia is, on the other hand, profound.

Books on Anthony Trollope have tended to emphasise the biographical, social convention or else offer analyses of Trollope’s moral code. There has been little, if anything, written about Trollope as the literary expression of a landed society during a period of flux.

Anthony Trollope: Power, Land and Society 1847 – 1980 makes the argument that Trollope’s canon constitutes a profound exploration of Nineteenth Century landed society, providing insights into the cultural and political mores of great and small landowners, as well as the economic opportunities and problems they faced during a period of transformation; his characters, too, subtly illustrate the dilemmas, moral and social that so many Victorians encountered as economic circumstances changed.

We’ll update his books page with links and details as soon as they’re available.

And that’s all so far for May. Stop by the blog next week for a brand new post by C.M. Saunders.

 

What’s New for April? Books!

 

C.M. Saunders has been a busy, busy boy. Last month, he published a little something in Crimson Streets, and he continued with his Retro Review series. In April, not only is he continuing is Retro Review series (catch the latest on his blog), he’s also releasing the third book in his X horror collection series, X3. You can pre-order it now, and while you’re at it, get the first two books in this series for just 99 cents in April as well.

Our very own P.J. Blakey-Novis has also interviewed him for Indie Writers’ Review (Follow the Facebook page for book, review, etc. news and for opportunities to win books) and Christian’s stopping by Roadie Notes for another interview. You’ll want to check both out.

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Oh, and speaking of Mr. Blakey-Novis, keep your eye on this blog or his Indie Writers Review page next month for news about upcoming titles from him as well, including a little something called Boxes of Blood.

This month, Renee Miller released Splish, Slash, Takin’ a Bloodbath with Unnerving Magazine, and on April 10th, look for her twisted novelette, Cats Like Cream. And for the month of April, Renee’s got a little thing happening on her Facebook page. For the price of answering a question, you’ll be entered to win a digital subscription to Unnerving Magazine’s 2018 digital catalogue. That includes mobi, epub and PDF copies of all of the 2018 Unnerving releases below (not the magazine), plus a couple of more TBD titles, and/or a paperback copy of Eat the Rich, which will be released in July via Hindered Souls Press.

And Katrina Monroe fans, if you’ve been missing her lately, don’t fret, she’s been publishing a series of short fiction on her blog. The first, Liquid Innovations, Please Hold, appeared last month, and the most recent, Lost and Found, is available to read now. Stop by throughout April for more brand new fiction from her.

In case you missed it, Steve Wetherell also released brand new fiction in March. Check out his Shingles Series installment, The Monkey’s Penis. His comedic horror gem, Shoot the Dead, is also on Amazon Prime’s reading list for April (actually, its on the list now and will be for 90 days, which means it’s free for Amazon Prime members, so get on it).

Michael Keyton has been quiet, but tune in next month when we reveal May’s book news for more from him as well.

That’s all for now, kittens. Check our Facebook page for more news, and check back here next month to find out what we’ve got going on in May.

 

Writer’s Toolbox: The Notebook

by Renee Miller

We decided to challenge ourselves to step outside our usual writing aids, methods, tools, etc., and try something that’s either new, or that’s an often-recommended thing we usually don’t use. We’re going to try said aid/method/tool for 7 days and let you know how it works for us. Does that even make sense? Not really. Let’s move on.

I chose the notebook. Back in the day, like about ten years ago, I used a notebook all the time. I had several, actually, and wrote all of In the Bones, The Legend of Jackson Murphy, Bayou Baby, and my first ever novel that shall not be named here, in a notebook. By hand. Every single one of the 80,000+ words for each was scribbled onto paper before I typed it into our ancient, temperamental desktop computer. That’s about 400,000 words handwritten. Yikes.

And then I got a laptop and I said, screw this notebook shit. Never used one again aside from when I have ideas and I’m not at home (although, I often use my phone instead of pen and paper) or when I’m editing or outlining. However, I know a lot of writers who swear by using pen and paper in early stages, so I decided to give it another go.

Supplies: Notebook (I went with the one below, because they were 47 cents at Walmart), brand new pen

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It says “Mom’s Writing Shit” so that the hooligans don’t use it for their own writing.

Day 1:

This thing is so new and white. Just smell those crisp, clean pages. I LOVE that. Ugh. I don’t want to write in it. I must, though. Got this new pen and everything. Here goes.

First entry: Ideas I’ll never use.

Filled three pages.

Day 2:

Wrote a bit of a story in my nifty notebook. Four pages, front and back. It’s kind of okay. My hand hurts and I’m hungry. Because I don’t want to take up story pages, I made a few notes in the back of the notebook. I think this is going to get confusing.

Also, watched a documentary about haunted places. Mentioned the Cecil Hotel. So, this happened…

Day 3:

Lost the notebook. Edited a finished project instead. Stop judging.

Day 4:

New notebook. Tried to rewrite the shit I wrote in the first notebook, but I know I forgot shit. Spent two hours writing beginnings and endings. Forgot how fun that was. My hand hurts again and there’s a new season of Bones on Netflix. What? I have to let these new prompts marinate.

Day 5:

Lost my new pen. Why does writing in pencil bother me so much? Can’t find a pen in this house. Kids must eat them or something. The pencil is REALLY messing with my head. It’s just not right. Wrote a couple of chapters anyway, but I don’t like any of it. Might be the pencil, though, so I’ll sit on it.

Day 5, part two: Found a pen. Wrote over the pencil stuff. Is that OCD? I don’t know. I feel better about what I wrote now. It’s a comedic horror thing, with witchcraft, creatures, sex (of course) and lots of killing. I think it has potential. I need to research and do some outlining, but I like it.

Day 6:

Found the first notebook. I must’ve put it away, because I found it in the junk cupboard. No way anyone else in this house put it there, because they don’t put anything away. And I clearly used it at some point to make note of vet appointments for the cats…

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Anyway, I did forget a lot of stuff. Day 5’s idea about the witch comedy thing is in it, sort of. I just wrote “witches, comedy, horror.” Also, a grocery list.

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Hmm. Anyway, wrote some more in the second notebook, and I’m itching to get on the laptop and “properly” start this thing. Did some research instead. Time travel is cool. I should add that to the story. I made a note.

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Day 7:

Finally, one more day of writing with my poor, cramped hands and then I can get cracking on the keyboard. I made a feeble attempt at it today. Didn’t get very far. I did list all the names I’ve ever used in my stories/books. I’ve used a lot. Going to have to get creative soon, eh? Yeah. Sigh. Of course, minor character names are recyclable, so it’s not so dire. Right? Right?!

New list: Names I haven’t used.

Conclusion:

The notebook is handy, for ideas. It’s not so handy for someone who writes bits and pieces of story impulsively and rapidly, and it’s not at all organized. I lose things constantly, as we’ve seen. If I were to use a notebook regularly, I’d need several. One for ideas, one for general bullshit like character names, and one for each story I’m working on. I’d probably lose track of one or two, so I’d end up with at least a hundred notebooks lying around. That’s too much paper for this girl.

However, it really does get the creative juices flowing, so I think I’ll save it for those times when I feel like I’ve run out of shit to write.

Any unusual writing tools/aids/tricks you’ve heard of, but haven’t tried? Which ones have you tried and would recommend?

Five Thoughts with Renee Miller

  1. If we have lived past lives, and this reincarnation thing is true, I’m kind of worried about my dog. Do we remember our past life on some level and does it affect who we are and what we do in the next one? (Actually, this would explain a lot if it’s true.) But back to my dog. Sometimes he watches me like he knows things, and I’m all “Stop that.” He doesn’t, of course. Anyway, what I’m asking is; Have I ruined his next life with the shit he’s seen?

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  1. We only know our life through our eyes. Think about that. All you know, experience, etc. is only in your head and when you’re gone, so is your truth, because no one experienced these things the same way or saw what you saw and how you saw it. And even when you write it down, it’s still never going to be the same for anyone else, because they were never in your head, so they can’t see what you’re describing the same way you imagine it. I don’t like that idea.split.gif
  2. What if we’re just a giant science experiment? Maybe we’re just something cooked up by some advanced alien race in another universe. Like, we’re not even real. This whole life, planet, everything that’s happening is just a massive virtual reality thing and when we die, it’s because someone deleted our character file or worse—because we got stuck with someone who is shit at playing video games? Is that a book? If it’s not, it will be.

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  1. Ladyscaping is my least favorite thing to do, and yet I keep doing it. Who decided women should have no body hair and why did everyone else agree?angry.gif
  2. Sometimes I think I’d like to go back in time, but only if I can control where I go and who I get to be. I’d hate it if I was some medieval tavern whore accused of witchcraft or whatever, or worse, the girl who has to dump the chamber pots or give her warty, overweight lord a sponge bath. Gross. If I went back in time, I’d like to go way back, but as a wealthy (or at least titled) person, so I would have nice things and could boss people around and then wow everyone with the things I know. Yes, I’d totally mess with that shit. Screw you, time-space continuum or whatever I’d fuck up. We’d have plumbing way earlier. Bite me, Romans. And I’d find the bitch who started the ladyscaping thing and get rid of her before she fucks us all for the rest of time. Yeah. That’s what I’d do.evil-laugh.gif

Weird Writerly Things

Every writer has a process. Even if it’s only that they write in a specific room or at a certain time of day, we all have something that helps get us in the mood. I (Renee) forced everyone to tell me one weird thing they do to get in the zone for writing. Some of the Dolls didn’t disappoint. Liam, you need to get weirder. Just saying.

Anyway, here’s what they told me. Now they know the confidentiality thing I made them sign is useless.

Liam: Just daydream and type what happens.

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Hanna: Being in nature. I usually write best outside too.

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Oh yeah, sounds great, Hanna.

Steve: Smoking cigarettes and staring at the sky was a great way to zone out and run a chapter through my head. Unfortunately it’s not a good habit, lung-wise, so I can’t recommend it in good faith.

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(right?)

Michael: Cleaning the toilets usually does it, followed by strong coffee. Either that or a tomato sandwich.

(Did you say tomato sandwich?)

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Renee: Candy Crush. I wish I was joking, but I’m not. Playing a few rounds of that empties my brain of other things. I just play until I’m ready and then I write. If that doesn’t work, I take a nap, because naps are awesome.

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Katrina: Coffee and a swift kicking of everyone the hell away from me.

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(We had such high hopes for yours, Kat.)

Christian: I don’t have a weird thing that helps me get in the zone. Is that weird?

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(Yes, Christian. It’s weird. You’re weird.)