Why Dark Fiction?

So, I get curious from time to time, and I force the other dolls to play along and answer my many questions. This week, we’re all going to share why we choose to write dark fiction. (By dark fiction, I mean speculative, dark comedy, etc.)

Michael: I don’t limit myself to dark fiction, though there is darkness in all of my books. I have three ‘historicals’ in the pipeline – two set in the twilight years of Roman Britain, and one in early colonial America. In these, as with the Gift Trilogy coming out this year, the speculative part lies in the interstices of historical fact. But to answer the question why do I like dark in the first place – in my case it might be a very traditional Catholic education where there was no light without dark and Hell was a real place.

Steve: Dying is easy and comedy is hard, or so it goes. I’ve never died, so I can’t really attest to it. But, of all the many jobs comedy and fantasy has, one of them is trying to make sense of the dark. And in doing so, perhaps see the funny side.

Katrina: Because realism is too hard to write and reality is boring anyway. Some people call speculative fiction “escapist” like an insult, but I think it’s the best part about it. Why wouldn’t you want to escape?

Christian: I wouldn’t know what else to write. At least ‘dark fiction’ is a big playground big enough to get lost in. When you think about it, it can encompass almost every other genre, from crime noir to sci-fi. It overlaps a lot. I used to call myself a horror writer, then I asked myself what horror was and I couldn’t come up with a satisfying answer. It means different things to different people. Besides, I wrote a love story once and nobody liked it.

Renee: I write in multiple genres, but “darkness” is a constant element in all of them. I enjoy writing dark fiction/speculative fiction, because it’s such a broad category. You can delve into almost every genre and writing it is like an escape that allows me to go to those places we all avoid, because we’re not maniacs.  Also, I find the best characters in the dark.

Peter: I write in a range of genres, but there is certainly a darkness to each of my stories (with the exception of my children’s book, of course!), and that darkness comes in different forms. I find there is a certain freedom that comes with writing speculative fiction; an opportunity to be more imaginative with events, giving greater range to the topics that can be covered.

Liam: Because it’s there.

What about you guys? Writers and readers, why do you write/read dark fiction?

 

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News and Books Coming May, 2018

This month, C.M. Saunders released X3, and it’s already picking up rave reviews.

The third collection of fiction by C.M. Saunders featuring revised versions of stories taken from the pages of The Literary Hatchet, Siren’s Call, Morpheus Tales, Gore Magazine, Indie Writer’s Review and several anthologies. Also includes two previously unpublished stories, extensive notes, and exclusive artwork by the award-winning artist Greg Chapman.

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Meet the airline passenger who makes an alarming discovery, the boy who takes on an evil troll, an ageing couple facing the apocalypse, a jaded music hack on the trail of the Next Big Thing, the gambler taking one last spin, and many more.

You can pick up a copy here:
 

 

 

 

 

The promotion machine is running for this one, check out his appearances at Ginger Nuts of Horror where he talks about childhood fears:

 

 ginger nuts CHILDHOOD FEARS POLTERGEISTS, EARWIGS AND DEEP WATER BY C.M. SAUNDERS

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To celebrate the launch of his new collection of short stories author C.M. Saunders makes two stops at Ginger Nuts of Horror, here with his excellent article on Childhood fears  and with a…

 

And his interview on Kendall Reviews:

 

Horror & Splatterpunk author C.M. Saunders chews the fat with Kendall Reviews.

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C.M. Saunders is a freelance journalist and editor from Wales. His fiction and non-fiction has appeared in over 70 magazines, ezines and anthologies worldwide, including Loaded, Maxim, Record Collector, Fortean Times, Fantastic Horror, Trigger Warning, Liquid imagination, Crimson Streets and the Lit

 

By the time you read this, his latest short story, Those Left Behind should also be live here.

And don’t forget to check out his RetView series. This month, he looks at The Evil Dead

 retview RetView #9 – The Evil Dead | cmsaunders

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Title: The Evil Dead Year of Release: 1981 Director: Sam Raimi Length: 85 mins Starring: Bruce Campbell, Ellen Sandweiss, Betsy Baker, Hal Delrich I remember the first time I saw The Evil Dead.

In May, his RetView series takes in the 1960 French classic Eyes Without a Face, a movie so depraved that people fainted when they saw it in the cinema, and so cool that a quarter of a century later Billy Idol wrote a song about it.

And P.J. Blakey-Novis has something awesome happening as well.

 

THFLo2Dc_400x400May marks the launch of Boxes of Blood, a new service, which offers ‘mystery boxes’ of hand-picked horror books delivered to your door. Available in a variety of sizes, and including exclusive tote bags and bookmarks, Boxes of Blood is an essential service for horror readers everywhere. And with a library of almost one hundred books, and counting, no two boxes will be the same!

 

 

 

Stay informed about this awesomeness at;

www.facebook.com/horrortoyou

www.twitter.com/redcapepublish

www.instagram.com/boxesofblood

As horror fans, we’re pretty excited about this and you should be too.

In case you missed it, Renee Miller released CATS LIKE CREAM, with Unnerving Magazine on April 10th. It’s collecting a few pretty awesome reviews as well.

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“Renee Miller holds nothing back in her portrayal of the twisted protagonist at the center of Cats Like Cream. Elwin is unprecedented in terms of characterization, delightfully perverse, and genuinely shocking in his crimes, and Miller’s prose punctuates those crimes with machine gun-sharp rhythm. If you like your serial killers full of personality and voracious and unapologetic in appetite, then you have to check out Cats Like Cream. “
—Christa Carmen, author of Something Borrowed, Something Blood-Soaked 

“Cats Like Cream is a punchy novelette featuring a real estate worker who is also a voyeuristic serial killer (aren’t they all?!). I’m not usually a fan of serial killer fiction but this tale is superb. We follow the dark path trodden by Elwin. Elwin is a vile, vile creature, a twisted, sadistic man who hides behind the curtain of his day job whilst living out his darkest fantasies. I love how Miller uses somebody working a regular job as a deranged murdering pervert. The casual nature of Elwin’s personality makes him even more twisted.” – The Grim Reader

Renee discussed Cats Like Cream, and other interesting topics, like sexy kitchen appliances and why birds are so terrifying on the Deadman’s Tome Podcast. In a few weeks, she’ll also be talking to William Marchese and Gary Buller on their podcast, Horror: with Marchese and Buller.

While all is quiet for a couple of months in terms of new books by Renee for the month of May (Eat the Rich will be released in July via Hindered Souls Press), you can get these titles for just 99 cents.

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SEX, PEANUTS, FANGS AND FUR – May 1st – 8th

 

 

 

 

 

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SMOLDER – May 4th – 11th

 

 

 

 

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MAD – May 11th – 18th

 

 

 

And finally, brand new from Michael Keyton, Anthony Trollope: Power, Land and Society 1847 – 1980

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Trollope was no deviant. He was though a writer and describes a world long gone. As such, there is much to learn from him. And if you don’t feel the urge to read all of his forty-seven books, you can read just this one. It may even persuade you to give him a go. Failing that, check out Alan Rickman’s first starring role as Obadiah Slope in The Warden – key snippets available on YouTube.

One of Trollope’s last books, The Fixed Period reveals his vision of the 1980’s; one still dominated by steam and landed power. The British Empire remains intact, ruling unchallenged in lieu of America, which has fragmented. It explains the title of this book. For Trollope, landed power and its politics controlled the future. He could not foresee—or didn’t want to—any alternative. The sci-fi aspects of The Fixed Period are risible. His exploration of Euthanasia is, on the other hand, profound.

Books on Anthony Trollope have tended to emphasise the biographical, social convention or else offer analyses of Trollope’s moral code. There has been little, if anything, written about Trollope as the literary expression of a landed society during a period of flux.

Anthony Trollope: Power, Land and Society 1847 – 1980 makes the argument that Trollope’s canon constitutes a profound exploration of Nineteenth Century landed society, providing insights into the cultural and political mores of great and small landowners, as well as the economic opportunities and problems they faced during a period of transformation; his characters, too, subtly illustrate the dilemmas, moral and social that so many Victorians encountered as economic circumstances changed.

We’ll update his books page with links and details as soon as they’re available.

And that’s all so far for May. Stop by the blog next week for a brand new post by C.M. Saunders.